I loved him [Ke Huy Quan as Short-Round in Indiana Jones and the Temple of Doom] - everyone loved him when I saw the film. Now I'm a grown-up and I watch it I'm not so sure - he's so loud. He yells for the entire film.
I'm really not trying to do everything that comes to mind because that's when it can be dangerous. For instance, I believe as much as possible, how your camera moves and flies around should be limited to the physics of how you could do it in real life.
With a feature film you're dealing with so much more money and you've got to be very aware of the fact that you're really working with an audience. You've got to have a relationship with the audience. Play with them and show them things you want them to see.
If you're tracking with a character that's running off a thing and diving off, I would leave the camera there and not follow them down, because cameras don't do that. The audience understands that. I'll definitely bring that understanding of keeping things a bit more grounded.
Everything changes once you start trying to market the film. Part of you feels like everything is slipping away from you. For me, I don't want people going to the theater thinking it's going to be a laugh-a-minute comedy, like a Will Ferrell film or something. Because it's not.
When you're actually making a film, it's just people on your back all the time wanting stuff and you're constantly having to it deal with them. It's probably the most time consuming of all the arts, but I do love it because it is a great mix of visual art and music and writing.
The Jemaine [Clement] and Taika works is a very long and slow machine - we put an idea in one end, and it takes about six years to come out the other end. And sometimes it doesn't even come out. And sometimes it comes out as a different idea. So we've out the idea of We're Wolves into the machine, and it's now slowly going through the sausage maker.
I remember being in Dublin in a café and seeing him [Jack Gleeson] two or three years ago, and he came in - Joffrey[from the Game of Thrones] came in - and I remember being so star-struck. I don't like famous people and I don't really get star-struck. But I remember seeing him and being so impressed that he was walking around. So I really like Joffrey.
My job is to make a film that can sit as a standalone piece, that if it's the only Marvel film you see, it's a great film with a great story in and of itself. The lucky thing is that there's a bunch of geniuses who run Marvel that make sure, even if it's a standalone piece, that it's part of a great big jigsaw puzzle that could be appreciated as a whole as well.