If you're not gonna tell the truth, then why start talking?
If something comes along that's really good, and I think I would be good for it, I'd be happy to do it. But not too many came along. I mean, they came along for the first, I don't know, 15, 18 films, but I didn't do that many. But then I didn't want to do the kind of junk I was seeing.
Mel Brooks is one of the few authentic geniuses working in comedy in America today.
I worked two days in Texas and two days in Hollywood on 'Bonnie and Clyde,' and that was it. I had no idea how it was going to turn out. And when I saw it, I was so upset, or fascinated, or something, by the sight of myself on the screen that I could hardly pay attention to the rest of the movie.
We all grew up on movies with scenes where the actor is lying, and you know he's lying, but he wants to make sure you know it's a lie, and so he overacts and all but winks at you, and everybody in the world except for the girl he's talking to knows he's lying.
What good is a character who's always winking at the audience to let them in on the secret?
When I was in desperate trouble for maybe eight or nine years, I went to a neuropsychiatrist.
I don't like giving speeches. It makes me nervous.
I feel very Jewish, and I feel very grateful to be Jewish. But I don't believe in God or anything to do with the Jewish religion.
The thing I love about making movies is the peace of mind that I know I don't have to be perfect the first time. I can be perfect the second time or the third time.
I'm an actor, not a clown.
What do actors really want? To be great actors? Yes, but you can't buy talent, so it's best to leave the word 'great' out of it. I think to be believed, onstage or onscreen, is the one hope that all actors share.
If my mother hadn't laughed at the funny things I did, I probably wouldn't be a comic actor. After she had her first heart attack, the doctor said, 'Try to make her laugh.' And that was the first time I tried to make anyone laugh.
Pride is not the worst of sins. In fact, it's one of the most interesting ones.
I'm not a natural writer like, let's say - I'm not talking about Arthur Miller; that's a whole other thing - but let's say Woody Allen. But the more I've written, the more I've found that there is a deep well in me somewhere that wants to express things that I'm not going to find unless I write them myself.
There seems to be a pattern. I get one good script every two years.
When I'm not working on something, I seem to go through periods of depression. It helps to keep busy.
I know a lot of sad people who aren't comedians.
Invention, my dear friends, is 93% perspiration, 6% electricity, 4% evaporation, and 2% butterscotch ripple
I didn't want to be a comedian. I wanted to be an actor - maybe a comic actor, but a real actor - by real, I mean not a comedian. I wanted to be an actor.
I never used to believe in fate. I used to think you make your own life, and then you call it fate.
I was a milksop as a kid. I had no confidence, no guts. I felt I was going to be someone else someday - someone who didn't have my weaknesses.
I've become pretty philosophical about a lot of things, including death. It doesn't get to me.
When you fall in love, and you're very young, you think that that's the love of your life. And maybe it is, but it usually doesn't turn out that way.
I'm not from Hollywood, and I'm also not one of the people who wants to do a tell-all, and I hate tell-alls. I didn't want to tell all.
I live in a small town in Connecticut, and they don't write scripts there, but I get them anyway because my agent is in Los Angeles.
I feel alone and safe in public.
I want to do what I can lend my talents to, but I want it to be as a human being and not as a two-dimensional character.
I don't want to do 'Hamlet.' I don't want to do Robert Redford roles or Mel Gibson roles or Kevin Costner roles, because I'm not going to be good at them.
Dont put the sheep on the table
