Whatever free time I get, I love to catch news and sports shows.
I am a not exactly a gadget freak and have the regular phones. But I keep multiple phones because if there's a network issue in one, then I can use another one.
I like poems and keep sharing them online.
I really felt good after working in a film like 'Piku,' as many people could relate to my character. I got letters from my fans telling me how my character resembles to their grandparents.
I am not conscious of the fact that something special should be done for me.
I don't know how others think about me, but if I have to walk the streets, I will, and if I need to stand in a queue at the airport, that's OK.
I was born in fame. I was always recognised and known. Personally, I feel normal about it.
You don't get time to meet your peers such as Dharmendra and Hema Malini very often. Award functions or other events are the only places you meet them, unless there is an emergency. Then we all come together.
When I wrote my first blog, I got one response. Now, I sometimes get as many as 400 responses for my posts.
People are fed up with seeing the same thing over and over. They want a qualitative change.
I have fans across the globe.
I feel a burden if I don't write.
I am not in the least eloquent or fluent with languages. My writing on social media is quite pedestrian. But even if it was near any acceptability, I would not be in a position to pen a script or a book.
No one is perfect, and criticism is always welcome and expected.
'What will people say?' is a feeling every Indian girl grows up with.
I sign a film based on the story, the role I play, and the maker.
Indian films are like our food or our sense of dress or our languages: there's a great variety, and it changes every 100 miles, but there is something in common, a national Indian essence, that binds them all together.
I feel that, particularly because of language, we are handicapped in getting a large world audience. But Hindi cinema has the same ingredients that appeal to the whole world.
I should only look back at moments that were disparaging, look down upon, negative for me - moments where I could learn something. And if I have been able to use that learning in future, then I am happy about it.
Kaizad Gustad is quite crazy, and he has weird ideas, and 'Boom' is one such idea. It's a crazy film by a crazy guy. It's almost a satire, a black comedy.
I don't spend much time looking back at what happened. I do remember it, but I don't see any purpose of wanting to look back.
I think no actor should be ever satisfied because there is always something new to do, something fresh to get challenged by.
I think every actor would wish there is some challenge that is left. I would consider to be creatively dead if I were to say that I am satisfied now.
I write my own blog every day. I do the Twitter every day and the Facebook. Without a gap. I do everything myself: I load my own photographs; I sometimes take my own videos and post them.
If the modes are changing, one goes along with it, I guess.
I just feel that sooner or later, the sheer potential of the demographics of India, which is 1.25 billion people, will eventually be very attractive to the entertainment industry.
I don't agree that I have a lot of confidence.
India as a film-making nation has gained recognition, at last, at most important Western and Far Eastern forums.
As a creative agency, the film industry is thinking great subjects, presenting them wonderfully well, and giving opportunity to new faces each day.
Having no work would be terrible.
