You’re directing a movie, but you are at the head of a ship of people, a whole fleet of people. And being able to manage that - being able to handle yourself as a director being a leader - that’s massively important.
Imagine a film such as Inception with an entire cast of black people - do you think it would be successful? Would people watch it? But no one questions the fact that everyone's white. That's what we have to change.
The one album I can't live without is called 'Cumbolo' by a band called Culture. Every song on their album is deep, but there's one in particular called 'This Train.' I have a tattoo of the lyrics on my left arm.
There's the argument that you can relate to someone who's completely unrelatable. In the way that a director shows you his imagination on a film, then I get to show you my imagination in a big dumb character.
What I like about their films is that you actually feel the momentum of whatever they're shooting. So, if someone's falling out a window, it gives the opportunity to show what that might feel like.
It was deeply important for me to understand where Mandela came from. Because we know where he was going, and that's a famous story, but who was he? Where did he come from? What was his upbringing?
Nobody likes a celebrity DJ for the sake of style, so I don't do that - I try to be good at what I do. It's all about resetting, it's my escape. It is work, it's a job, but I just love doing it.
I want to go to Sierra Leone with something - whether it's some sort of contribution to healthcare, or to the entertainment industry. My cousin is a nurse; we are talking about opening a clinic.
In 'Pacific Rim' I had to have a haircut I wouldn't usually rock. However, the moustache I had in the film - that might have to come out again. It was a good moustache. Good times.
What an honor it was to step into the shoes of Nelson Mandela and portray a man who defied odds, broke down barriers, and championed human rights before the eyes of the world.
Apparently, Daniel Craig said I'd be a great Bond. Daniel, why did you say that? Dropped me right in it! What an honor it would be, but also, what an indication of change.
You know, film is the ultimate goal in an actor's career. I mean, I still love TV. I have my feet firmly stamped in it. But my opportunities have been bigger and better.
The long and short of it is that I am now in a position in England to green light movies, and that's really excellent - not high-budget movies, but movies none the less.
I'm a little sheepish about it. Whenever I meet fans and they're like, 'Oh, you're so sexy,' I just don't get that. There's no way one man can be universally sexy.
I was on a well-beaten path of actors - what we all call 'the Law and Order route'. I spent two years of auditioning for everything... and then 'The Wire' came up.
Sean Connery wasn't the Scottish James Bond, and Daniel Craig wasn't the blue-eyed James Bond. So if I played him, I don't want to be called the black James Bond.
I watch my daughter wanting to be like other kids and getting upset that she's not. But I always try and instill in her the idea that she's perfect as she is.
White actors still get way more money in Hollywood. It's been that way for a very long time. I hope it'll change, but it's a matter of forcing that change.
Actors tend to not know how their performances are going to actually be used. Even though the script says one thing, in the edit, it can be something else.
I'd rather a young black actor read about success as opposed to how tough it was. I get these roles because I can act and that's it. Hopefully that's it.
It's really funny because the same people who loved me as Stringer Bell were the same people that were watching Daddy's Little Girls literally in tears.
Because I was big, I didn't have to listen to anyone doubting me. I was just considered good at football or whatever, there were no questions about it.
As an actor, you're trained to do the right thing, be politically correct, say your lines, say the right thing about the people you're working with...
I'm not a popular actor. I don't necessarily want to be famous. I want to be known for great work. I want to be known to surprise audiences.
Yeah, I know, any time you hear an actor say, 'I do music', you cringe. But I want to be gradual with my music. I want to earn my stripes.
My definition of bad-ass is that I'm a force of nature and true spirit. I'm self-admitting that, and it sounds vain to say that, but I am.
I get criticized for taking roles in films like Ghost Rider 2, but if you look at my résumé, dude, I've mixed it up as much as I can.
The English are good at bad guys - the James Bond-style villain, cunning, slow-burning. The Americans are much more obvious about it.
I'll always be attached to telly in one way or another, whether it's a character or producer or director, I just love the medium.
Are there differences between black actors’ opportunities and white actors’ opportunities? Yes, there are. It’s been said.
