A collection of quotes by Margaret Attwood on age, animals, books, childhood, climate change, democracy, greed, humanity, inspiration, ignorance, literature, life, soul, technology, war, time, truth, writing etc.
227 Powerful Quotes By Margaret Atwood That Will Enlighten You
Margaret Atwood is a celebrated Canadian poet, essayist, novelist and environmental activist. She has a wide range of credentials in technical field, but she is known for her work in literature. A majority of her work is inspired by fairy tales and myths from her childhood. She is the winner of the prestigious Arthur C. Clarke and Prince of Asturias award for Literature. She was also inducted into Canada’s Walk of Fame and nominated for the Booker’s Prize five times, eventually winning it once. Margaret Atwood has often portrayed female characters being suppressed due to patriarchy. Her writings press for the need of women empowerment in the face of prevalent gender bias. She is an ardent supporter of speculative fiction which she believes is different from the science fiction due to its realism. We have curated Margaret Atwood’s quotes from her writings, thoughts, observations, and general life. A collection of quotes by Margaret Attwood on age, animals, books, childhood, climate change, democracy, greed, humanity, inspiration, ignorance, literature, life, soul, technology, war, time, truth, writing etc.
Little girls are cute and small only to adults. To one another they are not cute. They are life-sized.
Reading and writing, like everything else, improve with practice. And, of course, if there are no young readers and writers, there will shortly be no older ones. Literacy will be dead, and democracy - which many believe goes hand in hand with it - will be dead as well.
All fiction is about people, unless it's about rabbits pretending to be people. It's all essentially characters in action, which means characters moving through time and changes taking place, and that's what we call 'the plot'.
The genesis of a poem for me is usually a cluster of words. The only good metaphor I can think of is a scientific one: dipping a thread into a supersaturated solution to induce crystal formation. I don't think I solve problems in my poetry; I think I uncover the problems.
Optimism means better than reality; pessimism means worse than reality. I'm a realist.
Social media is called social media for a reason. It lends itself to sharing rather than horn-tooting.
Religions in general have to rediscover their roots. In Hinduism and the Koran, animals are described as equals. If you walk into a cathedral and look at the decorations of early Christianity, there are vines, animals, creatures and birds thriving all over the stonework.
I'm a strict, strict agnostic. It's very different from a casual, 'I don't know.' It's that you cannot present as knowledge something that is not knowledge. You can present it as faith, you can present it as belief, but you can't present it as fact.
The object is very clear in the fight against racism; you have reasons why you're opposed to it. But when you're writing a novel, you don't want the reader to come out of it voting yes or no to some question. Life is more complicated than that.
You will always have partial points of view, and you'll always have the story behind the story that hasn't come out yet. And any form of journalism you're involved with is going to be up against a biased viewpoint and partial knowledge.
I was once a graduate student in Victorian literature, and I believe as the Victorian novelists did, that a novel isn't simply a vehicle for private expression, but that it also exists for social examination. I firmly believe this.
Please don't make the mistake of thinking that 'Oryx and Crake' is anti-science. Science is a way of knowing, and a tool. Like all ways of knowing and tools, it can be turned to bad uses. And it can be bought and sold, and it often is. But it is not in itself bad. Like electricity, it's neutral.
Vampires get the joy of flying around and living forever, werewolves get the joy of animal spirits. But zombies, they're not rich, or aristocratic, they shuffle around. They're a group phenomenon, they're not very fast, they're quite sickly. So what's the pleasure of being one?
You could tell 'The Handmaid's Tale' from a male point of view. People have mistakenly felt that the women are oppressed, but power tends to organise itself in a pyramid. I could pick a male narrator from somewhere in that pyramid. It would interesting.
If you feel that there's the author and then the character, then the book is not working. People have a habit of identifying the author with the narrator, and you can't, obviously, be all of the narrators in all of your books, or else you'd be a very strange person indeed.
There's a difference between describing and evoking something. You can describe something and be quite clinical about it. To evoke it, you call it up in the reader. That's what writers do when they're good.
If I pick up a book with spaceships on the cover, I want spaceships. If I see one with dragons, I want there to be dragons inside the book. Proper labeling. Ethical labeling. I don't want to open up my cornflakes and find that they're full of pebbles... You need to respect the reader enough not to call it something it isn't.
I began writing at the age of 5, but there was a dark period between the ages of 8 and 16 when I didn't write. I started again at 16 and have no idea why, but it was suddenly the only thing I wanted to do.
I don't think the relationship between novels and realities are one to one. Of course novels play different roles. It's essentially just a long narrative form. What you use that long narrative form for can be very different.
Our generation in the west was lucky: we had readymade gateways. We had books, paper, teachers, schools and libraries. But many in the world lack these luxuries. How do you practice without such tryout venues?
I got into trouble a while ago for saying that I thought the internet led to increased literacy - people scolded me about the shocking grammar to be found online - but I was talking about fundamentals: quite simply, you can't use the net unless you can read.
I grew up in the north woods of Canada. You had to know certain things about survival. Wilderness survival courses weren't very formalized when I was growing up, but I was taught certain things about what to do if I got lost in the woods.
Foreignness is all around. Only in the heart of the heart of the country, namely the heart of the United States, can you avoid such a thing. In the center of an empire, you can think of your experience as universal. Outside the empire or on the fringes of the empire, you cannot.
Storytelling is a very old human skill that gives us an evolutionary advantage. If you can tell young people how you kill an emu, acted out in song or dance, or that Uncle George was eaten by a croc over there, don't go there to swim, then those young people don't have to find out by trial and error.