Backstreet Boys fans don't want to hear the New Kids singing all of their hits. Just like our fans don't want to hear the Backstreet Boys singing all of our hits.
When you grow up in a city like Boston, where I grew up, a lot of kids became criminals or cops. I never really had a bad take on cops other than I hate when there's one behind me on the highway.
I like being a leader in real life.
I'm very much a leader in a lot of the work that I do or that I've done in my career.
I wasn't exactly uncomfortable when I did my first comedy. I was just very aware of the risks; if you do a comedy that sucks, and you suck in it, then you won't get a chance to do it again.
Producing suits me because I have a business mind and a business sensibility.
I can always see something of myself in the characters I play.
I want people to come see my films and enjoy them, but at the end of the day you can't control what people think.
I love the rush of being creative. I really think I live for it.
I'm not a big fan of table reads or sitting around a table and reading a script. I'd rather do it on set and do it for real.
I love food shows: Anthony Bourdain, Iron Chef, Chopped, you name it.
I wish I was a guy who could have pancakes and bacon and cheesy eggs, but I'd curl up and pass out. I gotta start healthy or I'll be off the rails all day.
A lot of kids do look up to us. But there are just as many elderly people to put us down.
For young filmmakers, Saw is a perfect film. It doesn't cost the GNP of almost every country of the world.
I go wild on a stage. Some folks have measured us an image. They pretend us to be saints. And that image is much tougher to keep up with. Because that's not who we are.
I had to learn how to become a real actor, I had to suffer and be rejected and face that 100 times just like every actor. It wasn't like someone handed it to me.
I try to ground most of my characters in reality somehow. That's kind of what I bring to the table.
I'm a fan of good horror movies.
In my freshman year in high school, I went to the only public high school in Boston with a theatre program.
It doesn't matter to me if it has a surprise ending or not. I usually go for the material or the project.
It's not hard to keep up the image we chose. It's not hard to stay yourselves.
It's rare that I come across actors who are willing to work as hard on the material as I am.
Look, we are a rock group. But you should see all those things in perspective. People tend to blow up everything into ridiculous proportions. And then the fun is gone real soon.
There's a real danger in doing a sequel. There are some benefits, but that all hinges on how well you execute. Quite frankly, most sequels don't execute well.
Ultimately in the end, it's the director's choice.
We never really felt a real level of respect. The fame was fantastic, but that wasn't that important to me, because for every million people that loved me I focused on the one that hated me.
We're entertainers, while people want us to be gods.
With the Internet, kids today learn things quicker than we do and they have everything there is to see, so you have to do more than just remake some old '70s film.
I don't sleep very much. I really like to work, though. I feel like a kid in a candy store.
I didn't have big movie offers, or any big agents wanting to work with me. I had to go grassroots, start at the bottom and go on 150 auditions before someone finally gave me a shot.
