David Byrne is a Scotland-born American musician. He was the founding member, main songwriter, and lead singer and guitarist of the American new wave band ‘Talking Heads’. He has a distinctive voice and multi-instrumentalist. He has received various accolades such as Oscars, Golden Globe and Grammy awards for his versatile work in photography, fiction, opera and featured films. An inductee of Rock and Roll Hall of Fame, Byrne has also produced soundtracks for various movies such as Wall Street: Money Never Sleeps. With his own record label Luaka Bop, he collaborated and gave opportunity to various artists from Cuba, Latin America and Africa. In 2005, he launched his own radio station Radio David Byrne, which played classics from various genres such as country, jazz and Afro music. Byrne is also renowned for his enthusiasm about cycling. After publishing his own novel, The Bicycle Diaries, he designed bicycle parking racks along with the help of a manufacturer and sold them eventually as art. Here is a collection of famous quotes from this icon in music industry.
I ride my bike almost every day here in New York. It's getting safer to do so, but I do have to be fairly alert when riding on the streets as opposed to riding on the Hudson River bike path or similar protected lanes.
Everything's intentional. It's just filling in the dots.
David Byrne
Do I wear a helmet? Ugh. I do when I'm riding through a precarious part of town, meaning Midtown traffic. But when I'm riding on secure protected lanes or on the paths that run along the Hudson or through Central Park - no, I don't wear the dreaded helmet then.
I certainly agree that putting everything into little genres is counterproductive. You're not going to get too many surprises if you only focus on the stuff that fits inside the box that you know.
There's a certain amount of freedom involved in cycling: you're self-propelled and decide exactly where to go. If you see something that catches your eye to the left, you can veer off there, which isn't so easy in a car, and you can't cover as much ground walking.
I've made money, and I've been ripped off. I've had creative freedom, and I've been pressured to make hits. I have dealt with diva behavior from crazy musicians, and I have seen genius records by wonderful artists get completely ignored. I love music. I always will.
Yeah, I like to keep myself interested - I'll kind of throw myself into some area that I don't completely know or understand, that I'm not adept at, so I'm forced to swim in order to stay afloat. There's a good feeling that comes from that.
I'm very much into making lists and breaking things apart into categories.
David Byrne
I've noticed a lot of younger artists have less fear of doing different sorts of things, whether it's various types of music, or gallery artists moving between video and sculpture and drawing.
The physical sensation of gliding with the wind in your face is exhilarating. That automatic activity of pedalling, when you have to be awake but not think too much, allows you to let subconscious thoughts bubble up, and things seem to just sort themselves out. And the adrenaline wakes you up if you weren't properly alert.
Some artists and indie musicians see Spotify fairly positively - as a way of getting noticed, of getting your music out there where folks can hear it risk-free.
Television sounded really different than the Ramones sounded really different than us sounded really different than Blondie sounded really different than the Sex Pistols.
David Byrne
Yeah, it's pretty hard not to be completely cynical these days.
David Byrne
I have trouble imagining what I could do that's beyond the practicality of what I can do.
With pop music, the format dictates the form to a big degree. Just think of the pop single. It has endured as a form even in the download age because bands conform to a strict format, and work, often very productively, within the parameters.
From what I've heard, Paris did a little bit more prep work as far as making bike lanes and all of that stuff. They really did it properly, which New York is getting to little by little.
David Byrne
I always think the everyday is more relevant than anything too grand because we all have to deal with it.
In retrospect, I can see I couldn't talk to people face to face, so I got on stage and started screaming and squealing and twitching about. Ha! Like, that sure made sense!
I use a stream-of-consciousness approach; if you don't censor yourself, you end up with what you're most concerned about, but you haven't filtered it through your conscious mind. Then you craft it.
I'm not suggesting people abandon musical instruments and start playing their cars and apartments, but I do think the reign of music as a commodity made only by professionals might be winding down.
You go to a festival, you know you're not going to play all new material at a festival. The audience is not there for that. I've made that mistake, but you find out pretty quickly.
One knew in advance that life in New York would not be easy, but there were cheap rents in cold-water lofts without heat, and the excitement of being here made up for those hardships. I didn't move to New York to make a fortune.
I cycled when I was at high school, then reconnected with bikes in New York in the late '70s. It was a good way of getting around the clubs and galleries of the Lower East Side and Soho.
People are already finding ways to make their music and play it in front of people and have a life in music, I guess, and I think that's pretty much all you can ask.
I don't think people are going to switch over to bikes because it's good for them or because it's politically correct. They're going to do it because it gets them from A to B faster.
Yeah, anybody can go in with two turntables and a microphone or a home studio sampler and a little cassette deck or whatever and make records in their bedrooms.
Well, Marx is having a comeback. I hear him mentioned a lot in terms of the global financial situation and the general sense of injustice out there. A lot of economic experts in America refer to him without actually using the M word, but he's around.
As everything becomes digitized, there's the idea that things that can't be digitized become more valuable.
David Byrne
I remember talking with Arcade Fire after their first record, when they were getting all kinds of offers from major labels, and I don't think I gave them any advice. They survived that whole onslaught pretty well anyway without me.
In a certain way, it's the sound of the words, the inflection and the way the song is sung and the way it fits the melody and the way the syllables are on the tongue that has as much of the meaning as the actual, literal words.
David Byrne
Do creative, social, and civic attitudes change depending on where we live? Yes, I think so.
Some folks believe that hardship breeds artistic creativity. I don't buy it. One can put up with poverty for a while when one is young, but it will inevitably wear a person down.
I've been asking myself: 'Why put together these things - CDs, albums?' The answer I came up with is, well, sometimes it's artistically viable. It's not just a random collection of songs. Sometimes the songs have a common thread, even if it's not obvious or even conscious on the artists' part.
Probably the reason it's a little hard to break away from the album format completely is, if you're getting a band together in the studio, it makes financial sense to do more than one song at a time. And it makes more sense, if you're going to all the effort of performing and doing whatever else, if there's a kind of bundle.
So there's no guarantee if you like the music you will empathize with the culture and the people who made it. It doesn't necessarily happen. I think it can, but it doesn't necessarily happen. Which is kind of a shame.
It's a fundamental, social attitude that the 1% supports symphonies and operas and doesn't support Johnny learning to program hip-hop beats. When I put it like that, it sounds like, 'Well, yeah,' but you start to think, 'Why not, though?' What makes one more valuable than another?
There's something about music that encourages people to want to know more about the person that made it, and where it was recorded, what year it was done, what they were listening to, and all this kind of stuff. There's something that invites all this obsessive behavior.
Suburban houses and tin sheds are often the objects of ridicule.
David Byrne
I've rarely kept my distance from kind of - I don't know if we can call it politics, but kind of, civic engagement and that kind of thing, except I tended to think, 'Well, do it yourself before you start telling other people what they should be doing.'
