I just like to write and then perform.
I was doing theater in my high school, and I started writing sort of silly songs on the piano backstage in summer theater. I eventually put them online and started getting this little following.
Postmodern comedy doesn't work well with very old audiences, because it's making fun of the comedy they enjoy.
I think the comedy clubs tend to homogenize the acts a little bit, because they force them to be palatable in way too many environments.
Most of my songs make fun of myself.
I chose to do comedy instead of going to college.
The U.K. and Europe in general seem to be a lot more patient. The U.S. are expecting 'joke joke joke joke joke joke joke.' They don't actually sit and listen to you.
'Words, Words, Words' was very much its title. It's just words, words, words and trying to show that I can pack as much material into an hour as I possibly could word count-wise.
At the time of 'Words, Words, Words,' I'm a 19-year-old getting up feeling like he's entitled to do comedy and tell you what he thinks of the world, so that's inherently a little bit ridiculous.
The strange thing was, when I was starting on YouTube, even the paradigm of YouTube and Internet sensation - or whatever - that didn't really exist. So I didn't even know that that was a thing.
I have a pretty good math mind, so I can see patterns, but I don't have a great ear. It's like a tragedy - I can see so much more natural musical ability in so many other people.
At once I feel that comedy is this amazing sort of transcendent thing, and I'm also open to the fact that maybe it's just an evolutionary hiccup, something that upright apes do in their free time.
I misdirect the audience, so they have no idea where they are or who they're listening to.
I've always liked the format of YouTube, sharing things for free, which is a nice exchange between people.
For me, if you distill comedy down, it is surprise and the unexpected. That has to be it on its most base level, in any form.
I try and write satire that's well-intentioned. But those intentions have to be hidden. It can't be completely clear, and that's what makes it comedy.
I've found nothing but support and generosity from older comics. I think comedians are a lot nicer than the stigma is, at least from my experience.
In high school, I worked eight hours a day just so I could get into the college of my dreams and say that I got in - and I never went.
I like to call everyone that I find slightly annoying a 'sociopath.'
I don't try to call myself a poet. But I know that my stuff is pretty literal, in that the themes are pretty simple and on the surface.
I remember being superyoung, like nine or ten years old, and thinking, 'Man, I wonder what famous people eat for breakfast. They must have some special kind of cereal!' My mind was so warped by the idea of fame.
I'm bored way too easily. I'm staring at screens half the day. I need to be overstimulated. And how will that express itself artistically?
I think the love-hate is fundamental. Everyone hates reality television, and everyone's watching it. Everyone hates Facebook, and everyone is on it.
I was definitely not the kid that just wanted to be famous for no reason whatsoever and then happened to find comedy. Fame and all that stuff have always been slightly terrifying to me, and it makes me very anxious.
The average person has one Fallopian tube.
There's a certain line between jokes and music and poetry that's a bit blurred in my mind.
Once a week, I like to slip into a deep existential depression where I lose all my sense of oneness and self-worth.
The problem for us, as viewers, is that we want famous people who are passionate about the things they're famous for, because that makes them worthy of the attention. But I think many of those famous people just want to be famous.
At one point when I was very young, when I was first starting out, I thought, 'Well, one day I'll be able to put all the music away and become a real comedian.' But then I realized there are amazing musical comedians out there, that musical comedy is probably something I'll always want to pursue.
I think it would collapse my heart if I was super famous. I don't have the nerve for it, I'm too anxious. I don't know how you're not obsessed with how people perceive you, because they're real people, you know? You can convince yourself that they don't really know you, and that's true, but how can it not hurt your feelings?
